Learning zone
Dilemmas
This months' dilemma: a student has learned that a fellow student is seeing their shared supervisor outside supervision times. Should she inform the course tutors?
Read moreStudent column
New student columnist Marc Brammer writes of his first counselling session 'that hour changed my life... it made me step out of my comfort zone and talk about things I had never acknowledged or told anyone before'
Read moreHindsights
Why I became a counsellor
What makes a good therapist? What values do you hold dear? Couples counsellor and novelist Kevin Chandler believes understanding is more important than change
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Lara Harwood describes her approach to illustrating the December issue
Behind the pictures
Do you consider yourself to have a trademark style? If so, how would you describe it?
My work tends to be colourful and I work in different mediums: watercolour, cut-out stencils (in screen printing) and pencil drawings. Then, using a computer, it's possible to mix these elements and arrive at something else. I like experimenting and find new ways to make images.
Style is not just visual; there is also style of thought, which often depends on how much free rein an artist has.
How would you describe the creative process you go through when you receive a brief? Does it vary?
I put the kettle on… and start reading, scribbling anything that comes to mind and underlining bits of the copy. Once I’ve read it I’ll try and sum up the meaning in words until I’ve got to grips with it. I’ll then speak to the art director to get their take on it, so we agree on the basics.
Generally speaking, how do you come up with your ideas? What inspires you?
Using words, playing around with meanings, thumbnail sketches of characters and shapes. I’m always looking around at things for inspiration. It can come from anything: from other artists work to the everyday stuff on the pavement, or trees, flowers, clouds, textures on skips… it all adds to the mix.
While working on your Therapy Today illustrations, did the ideas develop gradually, or did you know from the outset the direction you were going in?
The first piece was difficult to get to grips with, but once I came up with the idea of them being in the same boat things fell into place.
It’s funny how ideas often feel half-baked and that’s why it’s so good to work with art directors who have faith in you and give you space.
In addition to your brief, can you describe what informed/influenced/inspired your Therapy Today illustrations?
A dear friend offered me the idea of the rainbow as a symbol for all things gay. That was helpful for the cover story and I just had to find a way to use it.
How do you feel about your finished work and what do you like most about your images? Do you have a favourite image?
I really enjoyed this job and feel the artwork came out well. There was a big leap between rough sketches and final artwork. I had no idea how I would develop them and the art director gave me plenty of space to explore, which was perfect, rather than being pinned down to a specific approach. My favourite image is the cover with the boat.
Apart from Therapy Today, where else might we see your work?
Online at www.laraharwood.co.uk or www.heartagency.com. My work features on Marks & Spencer packaging, a stamp in celebration of the 2012 Olympics, and other magazines and book jackets.
I’ve been working as an illustrator for over 20 years for editorial, design and publishing. I’m based in North London, where I have a small screen-printing studio and I split my time between illustration commissions, personal projects, French lessons and Lindy Hop dancing!







